“It is a love story, it is a story of a bond between a parent and child.
In India, we go through a situation where we have to explain to our
parents for our partners.”
- Sonam Kapoor on the plot of
Ek Ladki Ko Dekha Toh Aisa Laga
ive said it once and i’ll say it a million more times but we do not give toby fox nearly enough credit for just shutting the fuck up and logging off after making undertale
Anonymous asked: "Hey! I really adore your last sea fairy drawing, do you have any tips on where to start learning how to digitally paint?? Thanks so much!"
a note to everyone who’s reading this post : im by no means a master at anything. just a fellow artist here. there will also be spelling mistakes that i didnt notice probably. or words that i forgot to erase while rewriting stuff.
OHHH ANON im gonna probably make a really big post with lots of things so i hope youll bear with me, thanks
its kind of a hard question
not gonna lie i started painting again only very recently after a veryy long time
i
was trying for a very long time to figure out what was wrong with all
my previous paintings. and. i guess that made me realize that for digital painting you need
the same principles as cel shading itself that i usually do and any other ways (weird,
right? i should’ve realized this sooner but im a boo boo the fool)
- Color, Value, and Saturation
-inspiration
by looking at other people’s works
(inspiration isnt infinite for anyone. like a battery you need to
recharge yourself just like everybody since we’re all just humans. make a
folder with your favorite drawings to be able to quickly access
inspiration material. i have a big ass inspiration folder myself)
(”but what if i copy?” no one is
100% original. people repeat same ideas over and over, believe me.
besides copying art masters is a nice way to learn something new, you
just need to analyze what made their art so great. copying like an artist and stealing work are different things.
besides youll never be able to 100% copy someone especially if you have several inspirations you’re mixing together if you want to actually make your own thing.)
-silhouettes
-flow, rhythm
-knowing how to simplify things
(dont get too deep in details when you start, make sure the general idea works. i do that by zooming out the drawing. in some programs you can make a new window with your drawing that you can have zoomed out constantly)
-references. yeah
- there can also be many other small things like edges (hard and soft), different lightings and how they differ and others but you can learn them a bit later if you think all previous things are too much)
if you know
this, believe me, you’ll spend less time wondering like me “where did i
go wrong?”. i WANTED to try painting in the past years but i didnt know
what i was doing.
- remember that there are no hard rules in drawing. yes there ARE tricks to make your art more appealing to the general viewers and some general theories about drawing that you NEED to know to make sure you are making consious decisions with your art.
but if you personally want to show a middle finger to some “””rules”””? you can. you absolutely can. you have the power. you can have anything you want when it comes to how you work!
heres my old work.
i make saturation -100 on the right to check values on works.
(if
you work in clip studio or photoshop you can use correction layers to
instantly check values when you work, like i did in my sea fairy
speedpaint)
and im instantly hit with the fact that theres no atmosphere, no depth, no main point to focus on.
i MAYBE checked on the values back then, but i ignored them (”wow who needs to know what it looks like in grayscale”). color pallete could be made more interesting too. theres nothing appealing.
i have some more paintings, but the problems are pretty much the same. i didnt know how to start, i didnt know what am i doing, etc. but its ok. we all figure things out as we go.
heres what my process is like now based on my recent paintings.
you can start with nothing, but if you want to, you can have a plan.
i didnt have a color idea when i started working on the colors (only lineart), so did
lots of color dumping on the same layer to figure out the atmosphere of
the finished piece and only polished it later.
it isnt the exact picture from my process, but its similar to what i did.
sometimes its nice to get random, so i mixed some random images together and started working out the colors
on top of them. it gives you a START if you’re afraid of doing anything in the beginning like me.
at least that how i do it sometimes (i first saw it when i was watching speedpaints of backgrounds, artists were mixing different images together), you can have an entirely different progress yourself. the method i did doesnt suit everybody but maybe youll like it if youll try it. (try different things to find what clicks with you)
(a picture from my actual progress, but after i figured out the colors i wanted.)
i constantly check how it looks like in black & white to make sure it works alright.
i zoom out the thing to make sure it works.
(right corner)
if it aint working from such distance, it probably aint working when i zoom in.
and again, i was checking a lot how it looks in black and white. probably could’ve done things a bit better with this one in some places, but oh well. it looks pretty ok anyways and i did most of the things i wanted to do so im not disappointed.
(its ok if painting something is going well you can go back to it later and repaint it. not being afraid to go back to square one is something i need too.
its what i did with bowser jr in that pic since painting him wasnt going too well)
my sea fairy piece is pretty similar. this time i did the general color sketch! (i had a very clear idea of what i wanted the colors to be. i got an idea while watching bob ross’ seaside harmony painting episode) i liked it so much i decided to make a full piece based on it.
now the sketches for this werent exactly small but i did actually do them with my screen zoomed out a bit
so i dont, again, get worked up with details.
my painting process isnt always as neat (lol) and clear as above
sometimes i just go and do whatever and maybe use basic principles. heres my color practice with wizard cookie
(again, purple and yellow, they’re just the main colors in this one. azure color is the brightest part and its yellow and purple that create the relationship here imo.)
i honestly use only a few brushes im comfortable with, usually. i use what feels comfortable the most for almost everything
